As Things Go
One thing I’ve noticed as I continue to work more and more on my craft, is the different things that jump out at me. When I first started writing, I only noticed some of the hooks and tropes that other writers used. Rarely did I find the humor in the venting of an editor; rather I learned from the mistakes they vented about.
Now, I still learn from editors and agents venting, but I also laugh and laugh at the things they say. Sometimes, I see myself in those mistakes and know that I too am guilty. Other times, it just amazes me at how daft, clueless, or egomaniacal writers can be. For example, I don’t care for Ann Rice’s style and choose not to read her. But not in a million years would I tell her editor that I “write ten times better than that overrated hack” and they should print me instead. Nor, would I preach from my soup box about the great conspiracy the large printing houses have against new writers as a way of endearing myself to a small house.
Once, I did address a letter to an agency as if I were sending it to a publishing house and even went as far to say that I looked forward to their acceptance to ‘publish’ my novel. The crass rejection letter I received was well deserved. Several rules were broken that showed my lack of professionalism. One, was the form letter I used to inquire with this agent–form letters should never be used when trying to impress someone. Second, I executed the act so halfheartedly, that I managed to send my publisher form letter to an agent rather than my agent form letter. Third, I didn’t bother to make sure I was even following their specific guidelines and proved I ignored such important detail by using a somewhat obvious form letter.
Some might say, that with the great mass of letters we need to mail and with the great number of form letters we are going to receive in response, that it is just fine to give the agent/editor back what little consideration they give us writers. These things I know to be falsehoods. The agent/editors I’ve been fortunate enough to meet face-to-face prove to me time and time again that they give full consideration to every letter they receive. They want unknown writers to succeed. Every successful writer they find or discover helps them earn money; while every lazy or unprofessional author that blames everyone else for their lack of preparation or professionalism only waists the agent/editor’s time.
I know there is a lot of disappointment out there and I definitely have my share of rejection letters. There is no room for making excuses when it comes to advancing toward one’s dream and honing one’s art. It does lighten the load when someone on the other side, one who must do all the rejecting, shares their frustrations and aggravations with us. It reminds us that we are all human and we are also all in this together. Yes, you might be tired of getting the form letter that says you’re not good enough yet, but agent/editors are also tired of getting romance queries when they ask for horror or told that the writer is the next Stephen King yet they can see half the words in the letter are misspelled.
I guess, what I am trying to say is that the deeper I dive into this world that is my craft, the more I see things differently. The more I see things differently, the more I understand that rejection letters are not rejection, but encouragement to get better and show them what the next Stephen King or Ann Rice can really do.